Teaching Philosophy :: Education Teachers School Essays

Instructing Philosophy I feel that instruction isn't just founded on the essentials, yet based on them. To me, imaginative articulation spins to some degree around those nuts and bolts that are educated and furthermore around the territories in life that are inconspicuous, or thought. Inventiveness opens a person’s mind, to not simply center around what has been educated to us, which is data put away in the left half of the cerebrum, yet in addition to use our own thoughts and creative mind to communicate, which uses the correct side of the cerebrum (which is once in a while utilized in the normal person). By doing inventive things that utilization the creative mind, it assists with fortifying that piece of the cerebrum which has been debilitated with time. As youngsters we feed that piece of the mind, everything is developing on the double. Be that as it may, when formal training is presented, that vision is limited to the point that it gets lost and as a rule never recuperated. What we are educate d negates vision in craftsmanship and decimates the vision of a craftsman except if given the correct guidance and direction on the most proficient method to consolidate the realized information gained and what is found in fact. A class that offers this direction however to have opportunity in a weight free condition that takes into consideration imagination is the thing that I want from my group on the grounds that for me, the workmanship program when I was a kid needed. Craftsmanship was for the most part for occasions, something to bring home to your mother for a specific exceptional event, not for singular articulation. I thoroughly consider of the considerable number of methods of reasoning that would best suit my wants in a craftsmanship class would be the existentialist methodology. Existentialism dismisses the presence of any wellspring of goal, legitimate truth other than the individual themselves, in which that individual decides for themselves what is correct/off-base, genuine/bogus, and excellent/terrible. Existentialism fits impeccably for a workmanship program in that it allows the understudy to have opportunity of thought to be as innovative as they like without something/somebody controlling what they do. In the existentialist class, understudies are permitted to pick their own medium, similar to composition, verse, craftsmanship, or music, and assess their own presentation and here and there every others execution.

Chuck Close Essays (564 words) - Pointillism, Chuck Close

Toss Close Toss Close (brought into the world 1940) is an American photorealist spend significant time in close-up pictures and self-representations. Close is one of the not very many current pragmatists or photorealists who center around the human face. In 1988, in mid-profession, Close was deadened because of a blood coagulation in his spinal section. He recaptured fractional utilization of his arms, and had the option to come back to painting in the wake of creating strategies which permitted him to work from a wheelchair. The entirety of Close's works depend on photos he takes himself. Close consistently follows similar rules in arranging an artistic creation. The source photo is a firmly trimmed head and shoulder shot. The subject is a relative or companion. The completed work is constantly titled by the subject's first name alone (except for ?Self-Portrait?). This choice was expected to extend an emanation of secrecy, permitting watchers to move toward the work without assumptions about the sitter. Close's working strategy is amazingly work concentrated. He starts by partitioning his source photo into a lattice and making a relating network on the canvas. He at that point fastidiously translates the picture onto the canvas square by square, continuing from the upper left to the base right. The absolute biggest canvases contain a great many squares; Close finishes the entirety of his works of art by hand. Given the careful idea of this work, a portion of the prior huge scope artistic creations took as long as fourteen months to finish. Close's work falls into two periods, the early and the center, in which he is presently productively locked in. It is anything but difficult to partition the two time frames on either side of Close's 1988 stroke that left him unfit to hold a brush. (He paints with his brush attached to his hand by a metal and Velcro gadget.) Close began to work with bolder, progressively expressive and vivid stamps before his incredible physical injury. The new work is both the equivalent; they're unmistakable as works by Close and could be by nobody else He despite everything utilizes the network he despite everything paints heads. Despite the fact that the measure of data the new pictures convey is not exactly the old, the characters portrayed appear to be hotter, increasingly quick, and progressively abundant. Close's repertory of imprints has changed significantly. Instead of the careful dabs and scaled down strokes of his initial work, also the photos built of fingerprints he made in the early'80s, every one of the expanded squares in the new matrices contains beautiful, painterly denotes that work as smaller than expected dynamic artistic creations of their own. Concentric circles, tablets, sausage and donut like shapes, and freestyle squiggles are the structure squares of his new faces. His palette has extended from highly contrasting and shading pictures dependent on the three primaries to one that tilts toward yellow and tissue tones at one extraordinary, and profound purples and blues on the other. In a word, Close's investigation of shading has been similarly careful and deliberate. He started by mimicking high contrast photography, at that point spearheaded a three-shading process much the same as that utilized in business printmaking. Since 1986, Close has utilized oil paint as his essential composition medium, and as of now favors brushwork that blends hues in an energetic, apparently perky way, with the goal that each square in his framework resembles a smaller than expected mosaic. He is by and by one of the most noteworthy and notable craftsmen of the twentieth century. Memoirs

Symptoms of Depression in Tweens

Symptoms of Depression in Tweens Depression Childhood Depression Print Symptoms of Depression in Tweens By Jennifer O'Donnell Jennifer ODonnell holds a BA in English and has training in specific areas regarding tweens, covering parenting for over 8 years. Learn about our editorial policy Jennifer O'Donnell Medically reviewed by Medically reviewed by Steven Gans, MD on January 19, 2020 Steven Gans, MD is board-certified in psychiatry and is an active supervisor, teacher, and mentor at Massachusetts General Hospital. Learn about our Medical Review Board Steven Gans, MD Updated on February 10, 2020 Depression Overview Types Symptoms Causes & Risk Factors Diagnosis Treatment Coping ADA & Your Rights Depression in Kids FatCamera / Getty Images It can be difficult to know if your child is going through a major bout with depression, or is just temporarily down in the dumps. Either way, acting quickly to help your tween, whatever their situation may be, is important. Kids experience lots of change in their tween years: their hormones are kicking in, their responsibilities are increasing, and their schedules are overbooked. To make things even more challenging, tweens or preteens also struggle with changing family and friend relationships, stress, confusing cultural expectations, and the anxiety that often comes with their approaching adolescence. Its no wonder that so many kids experience occasional sadness or possibly, even childhood depression. Recognizing warning signs of depression in your tween is the first step to getting them the help they need. Proper depression treatment for preteens is especially important as studies suggest that children who suffer from childhood depression are more likely to use alcohol and drugs. They are also more at risk for engaging in other dangerous behaviors.?? Recognizing Depression in Tweens The first step to helping your child is recognizing that there might be a problem. Unfortunately, the symptoms can be difficult to spot and can be confused with the normal trials and tribulations of growing up. Tweens are frequently moody. Their changing hormones and emotions can make it difficult to know if theyre just going through a phase or something more serious. While depression symptoms in tweens vary from individual to individual and can differ from those seen in adults, its not uncommon for depressed tweens to exhibit several of the following behaviors, at one time or another: A change in appetite (eating too much or not enough)Withdrawing from friends and activitiesSleeping disturbances like sleeping too much, not sleeping well or avoiding sleepA decline in grades at schoolFeelings of frustrationAn inability to complete simple tasksOverwhelming guilt and feelings of worthlessnessA change in normal behavior or personality changesReluctance to participate in social activitiesAnger  and other frequent emotional outburstsFrequent stomachaches or headaches that dont respond to treatmentBody aches that cant be explained or treatedAn inability to enjoy life and a lack of interest in the future Many tweens will rotate through the above symptoms routinely, but that doesnt necessarily mean theyre suffering from childhood depression. But if your childs behavior lasts for more than two weeks, it could be a sign that the troubles are more than a temporary slump. If youre unsure about your childs behavior, ask other family members, your childs teacher, and any other adult who has frequent contact with your child for their thoughts concerning your childs behavior. If youre concerned, dont hesitate to ask your childs pediatrician, a psychologist, or a psychiatrist for an opinion. Depression in children, when left untreated, can lead to a number of other serious problems including drug and alcohol misuse, relationship problems, and even suicide. The Consequences of Untreated Depression in Children Causes of Childhood Depression There are a number of different factors, both biological and environmental, that can contribute to the development of childhood depression.?? In tweens, imbalances in neurotransmitters like serotonin can predispose to depression. A combination of traumatic events (such as divorce, death of a loved one, friendship problems, a family move) may also trigger depression in some youths, as may a family predisposition to the disorder. Believe it or not, depression is actually fairly common in tweens with as many as one in 30 living with the disorder. The Centers for Disease Control and Prevention (CDC) reports that 3.2% of kids between the ages of three and 17 have been diagnosed with depression.?? The good news is depression can be treated successfully. With careful monitoring and support, a child experiencing depression has a very good chance of overcoming the condition.?? What You Can Do Visiting with your childs doctor is a must. Your childs pediatrician may recommend that your child seek counseling or psychotherapy, most likely with a pediatric mental health provider. You may also consider family therapy. In some cases, counseling is enough to help a child through rough times. In other circumstances, medication may be prescribed as well. If you think your child is depressed or upset, educate yourself on their social media life. Your childs Facebook, Twitter, or Instagram might reveal if something is going on with friends or at school. Whatever course of action the doctors propose to take, your role is as an advocate and a loving support system  for your child. Talk to Your Tween Listen to your child when they share information about their feelings and refrain from judging.Let your child know that you are there for them whenever they need you.Be persistent, even if you think they have gotten the point. Depressed tweens need to hear that you will be there for them  and that your love is unconditional. How to Help a Depressed Teenager

Analysis Of Genesis, And Andromache - 1381 Words

In the contexts of their own time periods, both Sarah, in Genesis, and Andromache, in the Iliad, have similar roles in that they are both confined to the duties within the household. Despite these societal constrictions, both women find ways to exert some power and influence within their designated roles in society, but the degree of power they have varies. Sarah holds more power because God will â€Å"bless her† and will make her a part of his plan for Abraham, so she can manipulate events in the context of this plan, whereas Andromache is restricted by her husband’s moira because the society values the lives and honor of men to determine the status for women (Gen. 17.16). Both women are also able to have power over domestic servants within†¦show more content†¦6.451-452). Her life is centered around Hector because without him â€Å"there will be nothing left†¦only pain† (Il. 6.434-435). Without him she has no meaning to her life, as well as no one to take care of her because males are the heads of household in Athenian society. Her desire to keep him alive causes her to display power and try to convince him to change his fate. Although in the end she is powerless to change her husband’s destiny – because not even the God’s can change a person’s fate – the very act of her trying to appeal to him to change his beliefs demonstrates the tremendous amount of power and value that her opinion can hold when it comes to events centered around her husband’s life. If she did not have this power and her opinion was not valued at all, she would have stayed silent and let Hector’s actions do the talking. With her voicing her opinion, it conveys how although women are subordinate to men, they can still have an impact on them, even though they might not be able to change their fate. While Sarah has power like Andromache, it manifests in a different form. Andromache only has limited powers to try to persuade her husband, while Sarah holds the power to influence the plot line and to make her husband’s covenant with god come to fruition. Initially,

Rubber Chicken Bone Science Experiment

You wont be able to make a wish on a wishbone with the rubber chicken bone science experiment! In this experiment, you use vinegar to remove the calcium in chicken bones to make them rubbery. This is a simple project that illustrates what would happen to your own bones if the calcium in them is used more quickly than it is replaced. Materials for This Project VinegarChicken boneJar big enough you can cover the bone with vinegar While you can use any bone for this experiment, a leg (drumstick) is a particularly good choice because its normally a strong and brittle bone. Any bone will work, though, and you can compare bones from different parts of a chicken to see how flexible they are initially compared with how they change when calcium is removed from them. Make Rubber Chicken Bones Try to bend a chicken bone without breaking it. Get a sense of how strong the bone is.Soak chicken bones in vinegar.Check on the bones after a few hours and days to see how easy they are to bend. If you want to extract as much calcium as possible, soak the bones in vinegar for 3-5 days.When you are done soaking the bones, you can remove them from the vinegar, rinse them in water and allow them to dry. While you have vinegar handy, how about using it to  make a bouncy ball from an egg? How It Works The acetic acid in the vinegar reacts with the calcium in the chicken bones. This weakens them, causing them to become soft and rubbery  as if they had come from a rubber chicken. What Rubber Chicken Bones Mean for You The calcium in your bones is what makes them hard and strong. As you age, you may deplete the calcium faster than you replace it. If too much calcium is lost from your bones, they may become brittle and susceptible to breaking. Exercise and a diet that includes calcium-rich foods can help prevent this from happening. Bones Aren't Just Calcium While the calcium in bones in the form of hydroxyapatite makes them strong enough to support your body, they cant be made completely of the mineral or they would be brittle and prone to breakage. This is why vinegar doesnt completely dissolve bones. While the calcium is removed, the fibrous protein called collagen remains. Collagen gives bones enough flexibility to withstand everyday wear and tear. It is the most abundant protein in the human body, found not just in bones, but also in skin, muscles, blood vessels, ligaments, and tendons. Bones are close to 70% hydroxyapatite, with most of the remaining 30% consisting of collagen. The two materials together are stronger than either one alone, in much the same way reinforced concrete is stronger than either of it components. Science Ideas to Explore Carbonated soft drinks are also acidic. What happens if you soak bones in soda rather than vinegar?Teeth consist almost entirely of the calcium mineral hydroxyapatite. What do you predict will remain of a tooth if you soak it in vinegar for a long time? How about the effect of soda on teeth?

Can netflix recover from its strategic mistakes Free Essays

string(124) " the tradition brick and mortar businesses, it continues to face the challenge of adjusting to new technological pressures\." Introduction and company overview Netflix is the world’s leading provider of online streaming media and movie rentals with more than 50 million of online subscribers.[1] It is the most prominent provider of online streaming media in the world with operations in the US, Canada and in 42 countries in Latin America and the Caribbean. In fact, Netflix is the single largest source of internet traffic in the US, consuming 29. We will write a custom essay sample on Can netflix recover from its strategic mistakes? or any similar topic only for you Order Now 7% of the peak downstream traffic.[2] Since its inception, this giant provider of online streaming media has gained increasing popularity. The company was first founded by Reed Hastings in 1997.[3] Netflix began its operations with the selling of DVDs and offering of rental services by mail. The demand for DVD by rental services quickly outweighed the demand for buying DVDs which led to the company focusing their business model on dvd rentals.[4] Over the years, the company’s growth quickly gained momentum to the point that it passed its 500,000 subscriber mark.[5] The company continued to experience a rapid growth and by 2003, the subscriber base had already tripled to 1.5 million.[6] In 2007, Netflix launched the online-streaming services and positioned itself for the imminent transition to digital media by partnering with companies such as Microsoft, LG Electronics, Samsung and Roku and negotiating agreements with the biggest entertainment companies such as CBS, Starz Enter tainment, and Disney for streaming of media content.[7] Throughout 2010 and the first half of 2011, the company experienced an unprecedented growth. The number of online subscriptions in the US alone doubled from 12.3 million to 24.6 million.[8] The quarterly revenue rapidly increased from $445 million to $770 million and the stock price increased reach an all-time high of $304.79.[9] However, a series of strategy changes implemented in mid July 2011 tarnished the company’s image and led to a steep decline in profitability and stock price. In mid-July 2011, Netflix implemented a new pricing plan which raised the monthly subscription by 60%. Customers reacted negatively to these price changes with more than 600,000 Netflix subscribers cancelling their subscription.[10] Towards the end of 2011, the company implemented another strategic change by creating Qwister and splitting the DVDs-by-mail business from internet streaming business. This sparked a second furore leading to a further decline in its stock prices. Netflix’s decl ine in the industry can be attributed to such kind of strategic mistakes. With these in mind, can Netflix can recover from its strategic mistakes? External analysis Netflix’s performance in the industry is affected by a number of external factors. An external audit of the industry reveals some of these political, economic, social and technological factors. PESTLE ANALYSIS Political and Legal factors Among the various factors affecting the performance of Netflix in the industry are the political and legal factors, particularly legal battles, trademark, copyright and patent issues. Netflix faces ongoing legal battles with several companies including Comcast and Time Warner Cable.[11] This began with complaints from Comcast customers that the connection speed for Netflix streams had dropped significantly. Netflix’s own data showed a massive decline in connection speed as shown in the figure below. Fig. 1 Netflix’s own data showing a massive decline in Comcast’s connection speed.[12] More recently, Netflix filed a petition with the US Federal Communications Commission challenging the proposed merger between Comcast and Time Warner Cable.[13] Netflix argues that the merger should not be allowed under the FCC’s public interest standard as it would stifle the competitive internet market and could potentially cause public harm by making the already expensive high definition (HD) even more expensive for video companies and consumers.[14] However, the petition to deny the proposed merger may not succeed as the commission has already determined that Comcast has the right to discriminate against online video distributors. The commission also determined that the public harm claim that Netflix raised was merely speculative and highly unlikely. The approval of the proposed merger points to the difficulty that Netflix may face in future. Comcast has already shown its willingness to discriminate against online video distributors by manipulating internet traffic at inte rconnection points with the aim of harming Netflix.[15] Social factors From the social perspective, Netflix relies on the popularity of its media content among consumers. Even though Netflix has raced to become ubiquitous having pioneered online streaming, its main weakness has been the inability to feature the latest releases. It should be remembered that consumers want the most recent content. This is a particular area where Netflix has always been lagging behind. According to a recent consumer report, 81% of the respondents were found to stream media from Netflix, making it the most popular.[16] However, these respondents expressed their dissatisfaction with the service citing Netflix’s movie line up as the biggest issue of concern. Respondents were displeased with the limited selection of movies especially the latest releases.[17] Economic In terms of economic factors, Netflix operates in an industry characterized by large entry costs, low prices and a very competitive environment. To maintain an edge in the market, firms have to price competitively against rivals.The industry is still at its infancy and many companies appear to be experimenting their business models. For example, YouTube recently reached an agreement with Lions Gate Entertainment which secured it rights to mainstream movies from the entertainment company.[18] Apple recently unveiled its plans to develop an upgraded Apple TV that allow consumers to stream video from TV Sets. Hulu recently begun a new subscription plan that allows customers to watch some TV shows that are not available for free at the cost of $10 per month.[19] With streaming becoming more competitive, Netflix will have to improvise in order to continue to thrive in the industry. Technological Technology is rapidly changing and for Netflix to continue to thrive, it must contend with the constantly evolving and competing technology. Even though Netflix gained its initial competitive advantage from its business model which capitalized on the weakness of the tradition brick and mortar businesses, it continues to face the challenge of adjusting to new technological pressures. You read "Can netflix recover from its strategic mistakes?" in category "Essay examples"[20] Already some of Netflix’s competitors are offering additional innovative services to its customers. For example, Amazon Prime provides users with services such as free two-day shipping and free kindle book in addition to instant video streaming. HBO has made its online content available for purchase without the need of cable subscription. Vudu is releasing many titles the same day they out on DVD compared to Netflix which releases them 28 days later.[21] Five forces framework Rivalry among firms There is no doubt that competition is becoming more intense in the industry. Netflix faces many rival competitors in the industry from Blockbuster to Hulu Plus, Amazon Prime, Vudu, Comcast, Google TV, Apple TV and many others (Indiviglio, 2010). The intense rivalry is due to the large consumer market in the movie rental industry. The rivalry is also increased by the different methods that consumers can obtain a movie from in-store rental to mail delivery to online streaming and video on demand. The switching costs remain relatively low which perhaps contribute to the fierce rivalry in the industry. A large number of the rival competitors have large levels of capital and greater economies of scale which makes competition in the industry very fierce. Threat of new entrants While Netflix faces intense rivalry from competitor firms, the threat of potential new entrants is relatively low due to the large entry costs in the market. Most of the existing firms have already established a well-known brand such as Hulu plus, Red box and Amazon instant video.[22] This makes it increasingly difficult for new players to thrive in the market. A potential new entrant would have to incur a lot costs in marketing and advertising to establish its brand and become competitive. Threat of substitution Similarly, the threat of substation is relatively low as many consumers prefer online streaming to physical DVD rentals. While there is no much of a threat to Netflix online streaming model, there is an existing threat from illegal pirating. Some websites provide customers with free access to most media content. However, most of these websites are illegal. Further, these websites are somewhat complicated and are not nearly intuitive as Netflix’s service.[23] While it remains government’s responsibility to enforce anti-pirating laws, it may be in Netflix’s best interest to lobby for tighter enforcements of these laws.[24] Bargaining power of consumers In terms of the bargaining power, consumers seem to have a higher ground. Consumers have a higher bargaining power since there are many options in the industry with little or no switching costs. Netflix currently charges its customers an affordable monthly fee of $7.99 but since customers are not locked into contracts, they can easily switch from one online streaming company to another with minimal or low switching costs.[25] High consumer bargaining power implies that the company must be very careful in implementing its strategies. This can be seen with the price changes that Netflix imposed on its subscribers in 2011. A new pricing plan announced by the company in mid-July 2011 which increased the subscription price by 60% sent the company’s stock price in a tailspin.[26] Bargaining power of suppliers Content remains a key input in Netflix’s business strategy. Since there are very few media content providers that offer high quality content, the bargaining power of suppliers remain relatively high. Suppliers can impose a price increase or offer low quality content and this could have an adverse impact on the company’s profitability.[27] Recognizing the relatively high supplier’s bargaining power, Netflix recently begun developing its own content, some of which have received acclaim in the industry such as the â€Å"House of cards† and â€Å"Hemlock Grove†.[28] However, despite these efforts, Netflix’s survival is largely dependent upon the variety of its content. Netflix still has to rely on its content providers to meet the needs of its large consumer base. II Internal analysis An analysis of the internal environment of Netflix is also important as it identifies the competencies that currently exist for the company to compete effectively. The VRIO framework and value chain model is going to be very useful in the analysis of the internal environment. Distinctive competencies: the VRIO framework Question of value: are the company’s resources and capabilities enabling it to capitalize on opportunities and neutralize external threats? In terms of distribution, Netflix has a sustainable advantage. It has several distribution channels from the physical distribution of titles through physical stores to distribution by mail.[29] However, this is a temporary advantage as blockbuster is posing a huge threat to the physical distribution of titles. Perhaps the biggest sustainable advantage lies with their online streaming capabilities. Being the first company with the capability to offer online video streaming service, it undoubtedly ranks at the top of video companies with the most widely streamed content. However, Apple is posing a huge threat having established presence in online streaming through iTunes.[30] Question of rarityAre there only a few numbers of firms with these capabilities? In some certain capabilities, Netflix have a sustainable advantage over competitor firms whereas in other capabilities, the company has only a temporary advantage. For example, in DVD rental and Blue Ray rental; Netflix only has a temporary advantage since many firms have the capabilities to produce these items.[31] However, with regard to online streaming, title variety, and convenience to consumers; Netflix has a sustainable advantage. This is because many other firms in the industry do not have the internal capabilities to innovate in these particular areas. Question of inimitability? The industry is characterized by large entry costs. Many firms lack the necessary resources and internal capabilities to offer similar content. It is quite expensive and extremely difficult to form agreements with content providers. Netflix has a temporary and sustainable advantage in this particular area having engineered the online streaming business model and formed agreements with several content providers including warner Bros and CBS among many others. Netflix’s possess key resources and capabilities that provide it with advantages that are not easy to imitate.[32] Question of organization? An important part of the internal analysis is examining how the policies and procedures are organized and whether this organization supports the company’s use of its valuable resources. Netflix has a functional centralized organizational structure in which the CEO has direct control over its six departments.[33] Netflix’s embraces a culture of freedom and innovation. Employees have the freedom to remain innovative and productive. This shows how the company’s organization policies are organized to support its valuable resources. Part III: Issues and challenges However, even with these resources and competencies, Netflix faces some challenges/impediments in its drive to remain competitive. One major challenge is its reliance on content providers. The company still has to depend on other content providers such as CBS and Time warner in order to continue to maintain the breadth and variety of their products. Such form of dependence can have dire consequences on the company especially where there are disagreements. For example, in mid July 2011, Netflix was forced to implement a new pricing plan that raised the monthly subscription by 60% after Starz, one of its content providers, demanded $300 million for renewal of its license with Netflix.[34] Initially, Netflix had been paying this premium movie channel $30 million annually. This was a huge step back and led to a steep decline in its stock price. Recently, Netflix was forced to remove some of its content after losing its contract with Viacom International, a leading provider of children sh ows.[35] While the huge subscriber base may give Netflix some sought of leverage in negotiating terms, much of its survival is still at the mercy of its content providers. Another challenge facing Netflix lies with the stiff competition in the movie industry. Even though the threat for potential new entrants is relatively low, there is an intense rivalry in the industry among key players such as Blockbuster, Hulu Plus, Amazon Prime, Vudu, Comcast, Google TV, and Apple TV.[36] With the battlefront shifting online, Netflix is going to be in direct competition with some of the well-financed and innovative companies such as Apple, Google and Amazon.[37] Netflix will have to be savvier than ever by negotiating better agreements for online streaming in order to take on these giant companies.[38] Part IV: Generation of strategic growth option Netflix’s overall situation is fairly attractive and somewhat sustainable. However, there are a number of Strategic Options that the company could pursue in its efforts to continue to grow and develop. The Ansoff matrix tool below will be used to describe these options. Ansoff matrix tool[39] Ansoff Matrix Market development International expansion is one of the strategic growth option. Netflix has already entered into regional license agreements to stream media content from 42 countries in Central America, South America and the Caribbean.[40] However, this international expansion need to be implemented very cautiously. While this has allowed Netflix to expand its subscriber base, the company is spending so much that it doesn’t actually profit from this international expansion. For example, in the last quarter of 2012, international losses hit $105 million despite the gain of 6 million new subscribers.[41] Product development The company could also benefit from developing its own original content and focusing on the online streaming business. Developing its own original content will reduce their dependence on content providers. There is also an imperative need to phase out the â€Å"DVD mailing option† from Netflix’s business model. The movie industry is quickly shifting online, yet Netflix continues to develop millions of DVDs which have high operating costs. Despite its huge revenue, Netflix’s margins are eaten up by its huge production costs.[42] With the movie industry shifting online, Netflix may lose out on major profits if they take too long to phase out the DVD mailing option. Market penetration In terms of market penetration, Netflix need to increase its domestic market. Growth in online streaming has resulted due to the increasing broadband penetration, growth in connected devices, faster download speed and the broader trends of media consumption.[43] A large part of the purchasing and usage of Netflix’s content come from existing customers in the US. However, there is still a larger market in the US that Netflix can benefit from. Netflix can leverage its first mover advantage to expand more rapidly in the US. Diversification Netflix is currently in competition with rivals in the market in two main product lines: dvd rentals and online streaming. With virtual rivals such as Amazon, Hulu and cable TV companies among many others, competition in online streaming is going to be intense. In the product line of DVD rental, competitors such as Blockbuster and Red-box pose a huge threat.[44] To maintain an edge in the market, Netflix need to diversify its product line to include video and computer games. Part V Evaluation of strategic growth options With these strategic options identified, it is important to evaluate each option in terms of suitability, accessibility and feasibility. SAF framework will be very useful in this evaluation. SAFe framework Suitability criteria Suitability criteria will evaluate whether these strategic options support Netflix’s mission and values, whether they are suitable for industry life cycle stage and whether they strengthen Netflix’s competitive position. Netflix’s mission statement is to grow the streaming subscription business both domestically and globally and to improve customer experience while staying within the parameter of their consolidated income and operating profit.[45] Strategy optionsSupports Netflix’s mission and valuesSuitable for industry life cycle stageStrengthens Netflix’s competitive position Expanding subscriber base internationally – market developmentyesYes – it is important to expand internationally currently in the industry.Yes. In the long term, this will consolidate their position in the industry Expanding rapidly in domestic market – market penetrationYesYes – market penetration is also important.Yes, in the long run. Focusing squarely on online streaming business and producing some its content – product developmentYesYes – the shifting market environment makes this strategy very effective.Yes – the industry is moving online and this strategy will significantly improve Netflix’s competitive position Diversifying product line to include video and computer games.yesYes – suitable for industry life cycle stageYes – this strategy will distinguish Netflix from competitors Accessibility criteria The accessibility criteria is assessed based on customer reactions, risks of losses and returns on investments. Strategy optionsReaction of customersRisk of lossesReturns on investments Expanding subscriber base internationally – market developmentNo effect on customer reactionHigh – margins from international segment so far remain very low compared to domestic levels. Already the company has incurred huge losses from this expansion.Low – Broadband infrastructure is very poor in many international countries and pricing strategy may be seen as high in developing economies. Expanding rapidly in domestic market – market penetrationNo discernible effectLow – margins from domestic segments are very highHigh – the current low pricing policy is very attractive for new customers and entertainment consumption remains high Focusing squarely on online streaming business and producing some its content – product developmentPositive impact – provides customers with the convenience they need.Low – the industry is shifting online and customer subscription for online streaming is increasing.Very high – market shifting online and broadband infrastructure allows for streaming of high quality hence improving customer experience. Producing its content will reduce its dependence on content providers. Diversifying product line to include video and computer games.Positive – it will enhance customer experienceRelatively low due to lack of differentiation between competitorsHigh – the added feature will increase customer experience among consumers who like video games. Feasibility criteria Feasibility criteria involves examining whether Netflix has the internal capabilities and resources to support implementation of these strategic options Strategy optionsDo existing technological assets support this strategy?Does Netflix have enough financial resources to support implementation of this strategy?Is there enough information available for implementation of this strategy? Expanding subscriber base internationally – market developmentTechnically, Netflix’s content delivery network is able to support this strategy.Netflix still has enough financial resources to expand internationally, however, huge losses have been incurred in implementation of this strategyYes, there is enough information to implement this strategy, however, the losses incurred so far raises the question of whether it is a feasible option? Expanding rapidly in domestic market – market penetrationYes, Netflix’s content delivery network is able to support this strategyYes, the company still has enough funds for market penetration.Yes, Netflix has enough information to ensure success of this strategy. Focusing squarely on online streaming business and producing some its content – product developmentYes, Netflix has exceptional tools with intelligent analysis that enable it to detect faults in systems, improve on customer experience and handle increasing data traffic.There are enough financial resources to implement this strategy.Yes, Netflix has enough information. For example, when it created its original TV series â€Å"House of Cards†, Netflix knew that it would be a hit based on examining consumers viewing habits. Diversifying product line to include video and computer games.No, Netflix may not have the technical capabilities to produce computer games.However, there are enough financial resources to implement this strategy.Also, there might not be enough information to implement this strategy. Netflix may not have enough history data to base on since most consumers subscribed to watch movies and not play computer games. PART VI Description of Selected Strategy Netflix need to focus squarely on the streaming business and phase out the DVD mailing option from its product portfolio. It should be noted that movie industry is quickly moving online and the DVD business is bound to declines. This can be seen with the decline in Netflix’s domestic subscribers. Declining number of DVD subscribers while domestic streaming subscribers increase.[46] This is also very much consistent with Netflix’s generic business strategy of differentiation, cost leadership and providing customers with convenience. While the DVD business has in the past been very profitable compared to the online streaming business; there is a slow but inevitable decline in the DVD business as the industry moves towards online streaming.[47] The huge costs associated with production of physical discs, packaging costs and the high costs of running the DVD distribution centers will adversely affect the DVD business. Netflix contributing profit, DVD vs domestic streaming.[48] Focusing exclusively on online streaming will without doubt enhance these generic strategies by differentiating Netflix from brick and mortar stores such as Blockbuster and Redbox, and providing customers with the convenience that they need. Netflix has the internal capabilities and resources to carry out this strategy successful. For the company to successfully carry out this strategy, it has to be vigilant in supporting millions of connected devices used by consumers in online streaming.[49] From the operational perspective, Netflix has large, complex and highly distributed systems environments. The company has exceptional tools with intelligent analysis that enable it to detect faults in systems and improve on customer experience and handle increasing data traffic.[50] Also, Netflix need to pay more attention on creating its own original content. This will decrease its dependence on content providers. Netflix is guaranteed success in content creation since they have enough information about the content that customers are desperately in need of. This can be seen with its original TV series the â€Å"House of cards† and â€Å"Hemlock Grove†, both of which have received acclaim in the industry.[51] Netflix is able to determine if a particular TV series or movie is going to be a hit based on consumers viewing habits. This provides them with a huge advantage in content creation. However, this does not mean that Netflix should abandon its providers as its survival is largely dependent upon the variety of its content. Netflix still has to rely on its content providers to meet the needs of its large consumer base. Conclusion In conclusion, while Netflix is the most prominent provider of online streaming with operations in the US, Canada and in 42 countries in Latin America and Caribbean, it faces a number of political, economic, social and technological factors in the industry. From legal battles emerging form trademark, copyright and patent issues to social and economic factors such as the inability to feature the latest releases and stiff competition in the industry. The main issues and challenges that Netflix faces are the high bargaining power of suppliers and stiff competition from well-financed and innovative companies such as Apple, Google and Amazon. However, the company could pursue various strategic growth options to further consolidate its position in the industry such international expansion, domestic market penetration, product development and diversification. Based on the SAF framework, Netflix is better positioned to focus exclusively on online streaming business and developing its own ori ginal content. This will provide the company with the sustainable advantage that it needs in terms of reducing the suppliers bargaining power, consolidating its competitive position in the industry and increasing customer experience. Netflix’s overall situation is fairly attractive and somewhat sustainable. It remains the single largest source of internet traffic in the US, consuming 29.7% of peak downstream traffic. However, given the inevitable decline of the DVD business, the company should consider focusing their business model on online streaming and creation of original content. With the growing capabilities of broadband communication, which allow for faster downloads and streaming of content, the industry is quickly moving online. This does not mean abandoning its content providers. It should be remembered that Netflix’s survival is dependent on the variety of its content. Netflix should be savvier than ever by negotiating better agreements for online streaming, increasing the selection of titles and making it possible to stream more content including the latest releases. 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[Viewed on 13th December 2014] Doughty, M., Strategic management and organizational culture: how Netflix survived disaster. Lethbridge College, 2013. Erickson, M.C., Stallman, E., Kalt, D.J., and Guhr, A.W., Petition to deny of Netflix, Inc. Washington DC. Available from http://apps.fcc.gov/ecfs/document/view?id=7521819696, 2014. [Viewed on 22nd December 2014] Favaro, K., Strategy and Business: Netflix wasn’t all wrong. Available from http://www.strategy-business.com/article/cs00003?pg=all, 2012. [Viewed on 12th December 2014] Gaines, A., Accounting: Netflix, Inc.: a financial analysis. Available from https://www.lagrange.edu/resources/pdf/citations/2009/03Accounting_Gaines.pdf, 2009. [Viewed on 12th December 2014] Haberfellner, R., General management and organization lecture notes, Institute for General Management and Organization, Graz University of Technology, 2009. Hitt, M., Ireland, D., Hoskisson, R., Strategic management: competitiveness and globalization, cases. Cengage Learning, 2008. Vol. 2 Indiviglio, D., 3 big challenges facing Netflix. The Atlantic. Available from http://www.theatlantic.com/business/archive/2010/09/3-big-challenges-facing-netflix/63637/ 2010, [Viewed on 19th December 2014] Kopytoff, V.G., Shifting online, Netflix faces new competition. The New York Times. Available from http://www.nytimes.com/2010/09/27/technology/27netflix.html?_r=0 2010, [Viewed on 12th December 2014] Krengel, A., Dudek, A., Momboisse, R., Paik, T. and Martin, T., Netflix: a company analysis. Santa Clara University. Available from http://mgmtclarity.files.wordpress.com/2010/04/capstone_final_report.pdf 2010, [Viewed on 12th December 2014] Lew, J., Bowers, T.P. and Weiss, J., Netflix, Inc. Client report. Available from http://economics-files.pomona.edu/jlikens/SeniorSeminars/Likens2014/reports/netflix.pdf, 2014, [Viewed on 16th December 2014] Lieberman. 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Use of Arts in the Second World War by Nazi

Introduction Art can be defined as the deliberate arrangement of things in a manner that influences an individual’s senses, emotions and intellect (Stokstad, 1995). Art has long been used as a form of universal communication. In politics, art is mainly used to advance propaganda.Advertising We will write a custom research paper sample on Use of Arts in the Second World War by Nazi specifically for you for only $16.05 $11/page Learn More Political art may refer to human creations that create a visual or hearing experience with the intension of presenting a political view (Rhodes, 1996). The term propaganda has no universally agreed meaning as it may be used to refer to a variety of persuasions. However, it can be generally described as the â€Å"art of communicating with the aim of influencing the attitude of a community toward some cause or position in order to benefit oneself or one’s group† (Rhodes, 1996, p. 45). Propaganda has lon g been used to advance political agenda, and this is responsible for its negative connotation. Propaganda as its known today, relates to the techniques that were employed by Nazi during the Second World War. This paper seeks to establish the use of art in politics and especially its use to advance propaganda. The paper will mainly focus on how Nazi used art/propaganda during the Second World War. Use of art in politics Art has been used to advance political agenda since the advent of human civilization ad development of complex societies. There are many instances where literature, films, songs and visual art are used to communicate political views. Depending on the political system, artists can either be paid or ordered to create works that are used to advance political agenda. The success of political art is measured by how the message influences the intended audience. Use of Art/propaganda by Nazi before and during the Second World War Nazi officials formulated a propaganda strate gy long before the Second World War. A ministry of public enlightenment and propaganda was created in 1937 with a mandate of using several themes to create external and internal enemies (Hitler, 1999). The external enemies in this sense comprised countries that had played a part in getting Germany to sign the treaty of Versailles. The internal enemies mostly comprised Jews and other immigrant groups. Media The media was very much used to spread the Nazi Propaganda. Below is a description of the different types of media that were used and how.Advertising Looking for research paper on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More Newspapers The NSDAP has its official newspaper identified as the Volkischer Beobachter (People’s ob) which was launched in 1920 (Lighgtboy, 2004). It was mainly used to spread Nazi ideology by mainly writing scathing articles that were directed towards the weakness of parliamentary systems, Jewish evil b ehaviors and the national humiliation of the Versailles treaty among other topics (Rhodes, 1996). The newspaper’s main role was attack opponents in the political arena and the Jewish community. The Volkischer Beobachter was later merged with the Der Angriff, a daily Newspaper run by joseph Goebbels (Rhodes, 1996). The Der Angriff attacked political opponents and Jews through disgusting cartoons. The paper also glorified Nazi heroes such as Adolf Hitler. When Hitler assumed power in 1933, all media laterally came under complete Nazi control. Propaganda Newspapers were also established in the Nazi occupied states. In Ukraine, all the existing newspapers were ordered to print articles sourced from German agencies. This was intended to spread an anti-American and anti-British ideology. Speeches Hitler and the Nazi party relied heavily on the spoken word to pass their ideology to the masses. In the mein kampf, Hitler alleged that the he had discovered that speaking was a much more convenient way communicating to the people. People did not read things readily but would strive to hear speakers. Speakers would get the appropriate feedback and adjust appropriately to keep in touch with the masses. Hitler was well known for his oratory and this played a major role in his ascend to power. Speakers were also vital for passing information that was intended specifically for the German population as this was not easily accessible in comparison to other forms of media. The speakers were under the ministry of propaganda and were provided with the specific information to say to different groups of people. Posters Posters were central to the Nazi propaganda ideology. They were not only used to gain popular support in Germany but also in the occupied territories. Posters were advantageous in several ways. They could easily be manipulated to have a strong visual effect so as to attract attention easily. Unlike other forms of propaganda, posters could not be avoided by the t argeted audience. Imagery was used to show Nazi youth and the SS as heroes with illumination to produce opulence (Rhodes, 1996).Advertising We will write a custom research paper sample on Use of Arts in the Second World War by Nazi specifically for you for only $16.05 $11/page Learn More Posters were placed in several strategic areas including schools. For instance, school posters would show an â€Å"institution for the feeble-minded on the other hand and houses on the other, to inform students that the annual cost of the institution would build 17 homes for healthier families† (Lighgtboy, 2004, p. 68). Films The Nazi party produced a lot of films to promote their agenda. The films featured several themes such as the virtue of the Nordic or Aryan, the strength of the military and the German industry, and the evils of those who were perceived to be enemies (Rhodes, 1996). Film was part of the strategies employed by the ministry of propaganda and w as allocated a fully functional department. The department controlled filming activities including the issuance of licenses prior to film production. In some instances, â€Å"the government would handpick actors for a film, provide financial support and offer tax breaks to the producers† (Rhodes, 1996, p.87). Self censorship was encouraged among film producers through schemes such as awards for films that were seen as valuable to the Nazi regime. Under Nazi rule, almost all filming activities were nationalized by controlling the filming agencies. Some agencies however managed to escape by providing a certain version to the director of film department and producing a completely different version (Lighgtboy, 2004). Under the Nazi rule, most schools were installed with motion picture projectors to act as a propaganda tool. The films that were specifically produced to influence school going children were termed â€Å"military education† (Hitler, 1999, p. 102). Books Nazi p arty and its supporters wrote many books. It’s important to note that the beliefs and ideas of Nazi had existed in Germany as early as 19th century. Most of the â€Å"beliefs that were to be associated with Nazi such as German nationalism, eugenics and anti-Semitism had existed in form of books since the 19th century† (Rhodes, 1996,p. 37). Nazi’s own publications borrowed a lot from this existing works. One of the most conspicuous books is the Mein Kampf, a book that was authored by Adolf Hitler about his own beliefs (Rhodes, 1996). The book gave a detailed account of ideas that would later spark the Second World War. Hitler’s book borrowed a lot from â€Å"The Crowd: A study of the Popular Mind† a book that was written by Gustave Le Bon in 1895 (Hitler, 1999, p. 33). The book must have been of interest to Hitler as it described how irrational crowds could be controlled using propaganda.Advertising Looking for research paper on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More Many other books such as Rassenkunde des deutschen Volkes written by Hans Gunther and Rasse und Seele by Dr Ludwig Clauss, tried to show the superiority of the Nordic or Aryan while identifying other communities as inferior (Rhodes, 1996). As a strategy to spread its propaganda, the Nazi regime ensured the use of such books as teaching texts in all schools. Geopolitical atlases stressed the schemes advanced by the Nazi party; they showed Germany as an encircled country that was at risk of being overrun. The atlases showed the dangers posed by the Slav nations, depicted as being sympathetic to ideologies of enemy countries (Lighgtboy, 2004). Germany was shown to have a dense population compared to the Eastern regions of Europe; they emphasized the need for Germany to expand to these regions. Math text books had so many military applications and employed the use of military words in problem solving. Other subjects â€Å"such as physics and chemistry also concentrated on military appl ications, and grammar lessons were heavily made of propaganda sentences† (Lighgtboy, 2004, p. 150). In the occupied areas of France, German agencies ensured that German works were translated and made available. English books were banned, except for the classics (Lighgtboy, 2004). Majority of works done by the Jewish were banned, except for important scientific works (Rhodes, 1996). Comics Comics were used to spread propaganda both in Germany and the Nazi occupied countries. One notable comic book was the Vica series that was produced during the Second World War. The Vica was produced in the occupied territory France territory. The Vica series were primarily intended to act as a propaganda tool against the allied forces (Rhodes, 1996). The series were published by Vincent Krassousky and they showed how the Nazi influenced and thought about the French society (Lighgtboy, 2004). Magazines In 1939 and the period after, a representatives of the Nazi regime provided guidelines on wh at topics magazines were to write on (Lighgtboy, 2004). There were several other publications that were owned by Nazi and were used to propagandize the German society. Neues Volk was published by the office of racial policy and contained racial propaganda (Rhodes, 1996). The magazine was mainly composed of articles criticizing the Jews and other races while praising Aryan types and portraying them as ideal. The Signal magazine was one of the main propaganda magazines published during the Second World War. The magazine was made available in all occupied and neutral countries. The magazine was in circulation from April 1940 to March 1945 (Rhodes, 1996). The magazine was published in up to twenty different languages and was the highest selling war time magazine. The magazine was well budgeted for by the ministry of propaganda. It was intended to create an illusion in the mind of the reader that Germany under the rule of Nazi as the greatest model of western civilization. The paper talk ed of â€Å"Germany and its allies as the humane liberators of occupied states† (Stokstad, 1995). The magazine would sometimes carry articles with pictures showing intense battle scenes. Unlike other magazines, Jews were hardly depicted in the Signal. The NS-Frauen-Warte was a woman’s magazine (Rhodes, 1996). The magazine had several topics that stipulated the roles that women were required to play by the Nazi regime. The magazine carried articles that attacked intellectualism and encouraged women to have more children (Hitler, 1999). They discussed what Nazi had done or would do for women and urged them to play bigger roles in the war. Other ladies’ magazines such as the Das deustche Madel recommended masculine activities for the girl child. The Das deutsche Madel, propagandized German women to be more active and masculine (Rhodes, 1996). Radio Many scholars have argued that Nazi pioneered the use of radio as a genocide tool. Indeed it can be established that N azi officials relied a lot on radio broadcasts to spread propaganda even before they came to power. During the Second World War, Nazi radio broadcasts were mainly divided into internal and external broadcasts. Millions of cheap radios were manufactured under a program subsidized by the government and sold to the masses at affordable prices. By the beginning of the Second World War, â€Å"more that 70% of German households had radios†, mainly the cheaper models that was limited in range so as to deny the citizens a chance of listening to foreign broadcast (Lighgtboy, 2004). Loudspeakers were employed to play radio broadcasts in public places and places of work (Rhodes, 1996). Different non propaganda elements were introduced by Nazi so as to ensure that citizens continually listened to the radio. Music, advices and tips were the main form of entertainment used by Nazi. The Nazi regime employed the use of radio to send messages to â€Å"occupied territories and enemy countries † (Lighgtboy, 2004, p. 45). The UK was one the main countries targeted by Nazi broadcasts. William Joyce was one of the broadcasters used by the German government to air propaganda views in English. He went to Germany in 1939 where he initially read the News in English but later played a major role in broadcasting propaganda during the Second World War (Rhodes, 1996). He was captured after â€Å"the world war and executed in 1946 for treason charges† (Lighgtboy, 2004,p. 167). Several other countries such as the US and France were victims of propaganda broadcasts. Radio Paris and radio Vichy were the main tools of propaganda in France (Rhodes, 1996). Fine arts The Nazi used fine arts as symbols of creating ideals. Sculptures were used to basically to represent Nazis racial theories where common nude male sculptures were used to portray the ideal Aryan race (Rhodes, 1996). There were landscaping paintings that were mainly displayed in the art Exhibitions that were carried even during the war. Explicitly political paintings and anti-Semitic paintings were rare. Conclusion This paper sought to define political art, identify how it’s used in politics and give a detailed account of how it was used by Nazi during the Second World War. Indeed it has been established that art has been used in politics for a very long time to spread propaganda. The paper has also established that Nazi used art intensively to influence people both in Germany and elsewhere. Nazi used different forms of art to spread their propaganda. The most notable ones include Newspapers, speeches, radio, magazines, films, posters and fine arts. References Hitler, A. (1999). Mein Kampf. Boston: Houghton Miffin. Lighgtboy, B. (2004). The Second World War: Ambitions to Nemesis. New york: Routledge. Rhodes, A. (1996). Propaganda: The art of persuasion: World War II. New York: Chelsea House Publishers. Stokstad, M. (1995). Art History. New York: Harry N. Abrahams Inc. 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